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Looks like y'all had an awesome time!

I’m a little confused. You seem to be combining metric (volumes and weight) and imperial (temperature). Could you please add metric temperatures in future videos?. Thanks 😊

hello Bill, will the rest of the project be released? maybe on patreon? THANKS

HI can you tell me the name of the timer you are using I'm in the uk I've got most of the parts for this build apart from the timer.great video thanks for posting this.

What about the sliver solution that gets washed off? Does that interfere with the septic and environment like traditional b&w silver printing would do?

Oh wow are you really doing gravure workshops now?

fire up chips!

Thank you for the video, are there any toners that are fairly benign? I have mast cell disease "allergic reactions to many things" and I want to try salt printing, I've somehow avoided toning after all of these years but it seems it's not avoidable with salt printing? Recommendations for other toning methods would be appreciated.

how are the fumes/VOC's with the toning kit? I've never done gold toning and have generally avoided toning due to the highvoc's/fumes. great video!

I'm surprised you mentioned copper as a way of increasing longevity. I once put a copper toned print in an exhibition. I was very concerned to see it fade towards the card mount after some months of display.

I really appreciate your video on the new cyanotype process. I noticed you created your solutions and coated your paper in ordinary light. I would have thought that since the new solution reacts quicker to UV exposure, that there would be a specific light control recommended for making solutions and coating/drying papers. When I read MIke Ware's instructions he also indicated that he recommends using a diluted acid for the development bath after exposure and before clearing/washing. Are you still getting amazing results with the approach you have followed in this video? Thanks again for your channel.

I have wonderful memories of the tunnel of trees, the Delmac bike tour, Blissfest music festival and Leggs.

I am wondering how much sensitizer you are using. 2 drops does not seem much but it coats ok in the video. Usual advice is 2 ml for an 8x10. Scaling down to 4x5 means you need about 0.5ml. They must be big drops or you are able to coat with very little sensitizer on that paper.

The ability to organize on Patreon is very helpful and makes so much more sense.

Hello , I appreciate your great work, only I need to understand you do this work as a hobby or what else . What is the use of your prints ?

That comparison at the end is truly stunning.

A lot of work paired with a lot of experience and explicit explanations, that was awesome 👍. Good job‼️ Thank you for this very interesting video. 👍

For a pure analog workflow, no curves or Photoshop is required if you make wet or dry collodion negatives for making salt prints. I personally find that my salt prints made from collodion negatives look much richer and possess more depth using this approach.

Great explore and capture adventure...

Gorgeous print. Could you please specify the color and brand of pigment that you used?

Love salt prints! My results have been hit-and-miss so far, with the most common issue is having the image wash away, either in the salt water bath after exposure, or in the fixing. It's still fun, and when it works, there's nothing like it. Thanks Bill for posting this, and all your other videos!

Hi Bill, the salt print process was invented by William Henry Fox Talbot in 1839. It would be nice to have a closeup of the finished print at the end of the video.

That was a great outdoor project.

What would you say is happening when you mix up the water and the sodium thiosulfate and it is not clear ? It’s cloudy looking 😢

How do you clean the containers that had the chemicals in them?

Thanks for the tip on this tape. I ordered some already!

Lovely print, Bill. It would be great if you would post a link to that tape. I've been using the artist's tape that you used before and it's okay, but this tape looks better. Thanks!

It is good to hear from that in future you will support the people like me, who lives quite far from you. Earlier you helped me also. Thanks That would be a great support for me.

Thank you, Becky! I’m excited to get it all organized. Your continued support is greatly appreciated!

Beautiful print, Bill! I’m looking forward to the expanded features on Patreon you talked about. Thanks for sharing all your wisdom!

Thanks ! very clear explanations and easy to follow :-) I did some salted paper a very long time ago and couldn't remember all of it, so your video is just perfect !

Nick Drake? Nice.

Красивые кадры! 👍 I like black white foto, because colour stolen history from picture. Sorry , my English is bad.

Очень необычно!💯👍

Красивый кадр👍

Great image great song

I never get tired of seeing that magic!

This is fabulous for what I need for my college presentation, and for showing just what to do in Photoshop.

Beautiful video bill. Strange.

❤ thank you for sharing this moment of pure joy 😊

Beautiful baby ❤❤❤

Such an incredible adventure and workshop! Thanks, Bill!

Is this your 1st malinois? Either way, good luck keeping up with that energy!

Your excellent teaching, based on practice, makes this tutorial enjoyable and understandable ✅ Thank you from FRANCE 🇫🇷😊

Dang, your life!

What a place, absolute on the bucket list

Props on the image, and the Ben Howard.

I'm having problems keeping contrast. I've found that stacking two negatives really helps, but is tedious to align. Any suggestions other than doing it this way?

Nice video, thanks. Why NH-dichromate over K-dichromate?

Would it be a good idea to do a final wash in distilled water? Thanks for the near real-time video.